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I bought these for my wife and she loves them…. she watches them over and over…. and over again…. each Volume contains three DVD disk….
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Volume 1 has the first 3 movies, Appreciate Comes Softly, Love’s Enduring Promise, and Love’s Long Journey
Volume 2 has the last 3 movies, Love’s Abiding Joy, Love’s Unending Legacy, and Love’s Unfolding Dream.
These are edifying family movies and impartial proves too that Hollywood doesn’t need to have any sex or violence to build a very generous five star movie…. Thank you Michael Landon Jr. for such a respectable job….. well done…
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Oklahoma City
These are spacious DVDs. I adore the movies and cherish the books even more. I recommend them to everyone. They are grand movies to ogle with your families. The only complaint I have is Amazon has advertized them as a 4 disc dwelling and there are only 3 in this situation. I impartial plan you should know what you are buying. But even with only 3 movies it is tranquil an awesome deal.
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February 11th, 2010 by kendall9989899 in The Spirit · No Comments
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This week’s best bet for rental is SPLINTER. But rather than focus on fair fear films here I conception I’d let you know about another well-behaved one to hit shelves this week, THE SPIRIT. If you missed it at the theater you weren’t alone as most audiences didn’t quite know what to produce of it.
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Based on the classic comical book series of the golden age of comics drawn by Will Eisner, the Spirit became a well-liked icon and droll again during the behind 60’s and early 70’s. Eisner became the hero of silly book industry insiders so powerful that awards for comics are named after him, The Eisners. But it was fan and comical icon himself Frank Miller that decided to bring the character to the conceal.
Like Miller’s gain comical series SIN CITY, THE SPIRIT takes space in a not to distant path world of gangsters and molls, pleasant guys and poor and a city that never sleeps. The city is as noteworthy a character in these stories as are its heroes and villains.
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The Spirit (Gabriel Macht) is awakened by a phone call from an broken-down friend, a cop who thinks the injurious Octopus (Samuel Jackson) is fervent in something poor going down. Tossing on his clothes, which must include his fedora and red tie, The Spirit hits the rooftops trying to gather to the location.
Unfortunately things were going down and the cop in query was shot. The Octopus IS fervent and a toss down between him and The Spirit ensues that involves them smashing one another with everything INCLUDING the kitchen sink. Yes, this is not your realistic droll book adaptation but a funny brought to life good to the current originate. And many of the antics sharp The Spirit played themselves out like Tex Avery cartoons with hyped up weaponry and fisticuffs.
The Octopus escapes with the assist of his henchmen (hilarious cloned creatures) and his legal had gal, Silken Floss (Scarlett Johansson) . A clue left by the wounded cop leads The Spirit to a second culprit enthusiastic here, one Sand Saref (Eva Mendes), the girl who broke his heart when they were both unprejudiced teens.
The tale unfolds with two boxes, both containing traditional artifacts that Sand and The Octopus each want. The pickle is both have the boxes that the other wants. And of course criminals can’t be trusted for an even trade. Impartial what is in the boxes and why they are so well-known is revealed as the record breaks out.
As the two jostle for control of the boxes, The Spirit tries to regain them and bring them both to justice. Along the method he gets lectured by the Police Commissioner Dolan (Dan Lauria) and shot or wounded several times which gives him a chance to discover his gal, Ellen Dolan (Sarah Paulson), a doctor and the daughter of the Commissioner. Hopelessly in savor with The Spirit, she hurts with each flirtatious peek he gives another woman. Which is about every one he sees.
The final showdown between poor guys and kindly eventually plays out. But not before this stylistic examination of the funny book art originate is brought to life on veil. Shot mostly in sad and white worthy like SIN CITY was, the film offers a splash of color here and there.
Miller (who wrote and directed) could have gone for the straight forward hero/action flick that many would have. But never one to assume the easy route, he opted instead for the irreverence and stout blooded slapstick that was commonly found in the silly books. And it actually works when you go in incandescent this.
The specials on this disc are appealing in their maintain lawful. One involves Miller talking about the making of the movie. A provocative short gives Miller time to talk about Miller and his bear contributions to the laughable art do, complete with illustrations of his works.
The disc in blu-ray is attractive, giving a crispness and clearness that is needed to beget the shadowy and white images seem to pop upright off the shroud. If a legend is based in that film noir genre, why not produce it appear that intention as well.
The leads and supporting actors all do a wonderful job but leave the viewer with one shaded label. As poorly as this did at the box office, the chances of seeing them together again seem slim. So if you like a righteous hard boiled detective legend, a laughable book hero or unbiased a bit of fun, then invent positive you glimpse THE SPIRIT. It deserved better and maybe it will gain impartial that on DVD.
All movies are in fact storyboarded like a laughable book. Well at least most of them are. “The Spirit” is a tribute to the tall Will Eisner who changed laughable books and opened them up both in style and in content
back in the 1940’s and for many years later.
The Spirit was always eccentric and not your average memoir in comics. This movie tries to quit stop to that legacy. Most of these overly vital people obviously have never read the spirit droll books that are available out there in book beget as well. They bought this expecting 300 or a standard movie superhero, but the spirit was never that. I worship the standard droll plucky figure, but to perform the spirit like them would betray what Will Eisner had created. So Frank Miller deserves kudos for his work on this movie. It’s alot of fun and not for everyone but it shines on blu ray. The acting is not used either it’s unbiased in line with the Spirit legacy. The characterize is safe and the directing solid as any miller movie, however every miller movie is existing is a outlandish dwelling that doesn’t believe reality so that’s what you secure here. If you want a regular superhero tale then perhaps this movie isn’t for you but if you want a movie that is as eccentric as the comical strip; then you will luxuriate in this one.
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I Frail TO HAVE MANY MISCONCEPTIONS ABOUT Joyful,LESBIAN,TS,TG, ETC
I Weak TO HAVE MANY ISSUES ACCEPTING MY Glad SON
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THIS DOCUMENTARY OPENED MY EYES & MIND TO THEIR WORLD
I WISH IT WAS AVAILBLE IN SPANISH, THIS IS A VERY DIFFICULT FACT TO Find IN OUR HISPANIC CULTURE, IF ANY BODY HAS TRANSLATED OR WANTS TO TRANSLATE IT OR AT LEAST SUB-TITLE IT, LETS DO IT!!! I WANT TO GIVE A COPY TO MANY “CLOSED MINDED” RELATIVES IN MEXICO.
Antony Thomas’ Middle Sexes explores diversity within sexuality that makes all people current. Focusing on transgender issues accross society that film helps to fabricate the feeling that diversity is estimable and that one of the keys to composed coexistence is tolerance for all views.
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The film’s most remarkable message is that there is no one trusty normal definition of human sexuality. All life is neither dusky nor white, male nor female. Everything and everyone is made up of shades of gray.
The film makes its point by intoducing the viewer to other cultures where the plan of transgender roles are more well-liked than in our acquire. We fade to India to learn about the Hindu third sex and to Thailand to regain the insights of the Ladyboy community.
This is a quite salubrious documentary produced by Sheila Nevins for HBO. While it offers no splendid conclusions its message of diversity and tolerance is well appreciated.
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Whisper of the heart is one of the most sensitive, heartwarming and dazzling films ever made. Based on a shojo manga by Aoi Hiiragi, Written and produced by Hayao Miyazaki and directed by Yoshifumi Kondo, say of the heart is a sage of self discovery and coming of age of a high school girl Shizuku who is not certain what she wants in life. A series of dramatic events bring her closer to a guy Seiji from her have school. Together they embark on a amble which will abet them acquire their inner potentials, realize their dreams and also treasure for each other. Also featured in the movie is an traditional man who runs an antique shop stocked with incredible treasures, including a magnificient porcelain figurine “the baron” (also featured in “The cat returns) . Both of these characters play an valuable role in the film. Though “The cat returns” is kind of follow up to “vow” yet for some reason it was released on dvd before “suppose”.
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Rarely is a film as unprejudiced and realistic as bellow of the heart and that’s what makes it amazingly special, charming and successful. Within its thin residence and realistic settings, tell has its magic moments which are downright uplifting and strike a chord somewhere deep inside. The film itself is a breath of original air.
Whisper of the heart, though monotonous in slouch, draws you in from the very beginning and refuses to let you go. Its a heartwarming chronicle which makes you feel nostalgic and helps you relive the adolescence. Except for the Shizuku’s dreamy fantasy sequence, the film relies heavily on dialogues and simple and dependable situations. The locales and the backgrounds shown in the film are as exquisite and breathtaking as in any other ghibli film. Commence spaces, ravishing countryside, deep blue sky with summer clouds, a bicycle coast atop the hill, there are numerous things and moments in the film that area the mood fair good, leaving the viewer spellbound and joyful. After a while you forget completely that you are watching an piquant film. Music plays an necessary role in the film and is soft and relaxing though we do glean lots of those soundless moments too for which ghibli films are celebrated. Also featured in the film is John Denver’s song “country roads” which makes the perfect backdrop for the film. Not to mention here, the royalty disputes which arised later, making it difficult for the movie to peer an American release.
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Be it character development, animation or background art of the film, attention to details is simply shapely.The incredibly detailed backgrounds of the fantasy sequences were done by Naohisa Inoue who was an established artist and a long time Miyazaki fan. Impressed by his fantasy work, Miyazaki himself invited him to work on the film. Issue of the heart dvd released by Buena Vista in Japan includes a special documentary showcasing the dreamy artwork of the film.
Director Yoshifumi Kondo had worked on many ghibli films such as Kiki’s delivery service, Grave of the fireflies and Pom poko etc, as an animator. Hayao Miyazaki, who was looking for recent breed of directors for ghibli, recognised Kondo’s talent in no time and gave him a chance to announce this movie. Unfortunately, lisp of the heart remains to be the first and the only film directed by Yoshifumi Kondo. Objective after the release of announce, Kondo succumbed to aneurysm. It is evident from sing of the heart how immensely talented and sensitive director Kondo was.
Films like direct of the heart are very rare and approach once in a lifetime. Watching a film like this is an experience to view and appreciate forever.
This movie, produced by Studio Ghibli (the same company that produces Miyazaki’s movies) is a gem. Unlike all of Miyazaki’s movies, this one tells in a very poetic plot a memoir about credible young people, their coming of age, and their growing awareness on their dreams and aspirations. It is also a beatiful savor narrative between two children who are discovering that they seem to be made for each other.
This is also one of those movies that will remind you of your school years, and I collect astounding the accuracy with which children’s emotions are depicted. Indeed, this is something I really relish about most of these Japanese directors: the ability of depicting children for what they are, rather than as cute used and witty “limited” adults, as powerful of Hollywood instead does.
As in virtually all of Studio Ghibli’s movies, the drawings are magnificent, some of them breathtaking, and the characters are lovable and well constructed. One of the major “characters” is a cat that will certainly raze up loving!
If you liked this movie, I would also strongly suggest you to gaze for another two Studio Ghibli movies that part the same genre. One is “Ocean waves” (which centers around the complicated love-hate relation between two high school student), and the other one, which is absolutely astounding, is “Only yesterday”, the myth of a young Tokio woman who rediscovers herself during a vacation in the countryside. I reflect both of them (especially the last one) are honest masterpieces.
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For a first time screenwriter, Joss Whedon’s “Buffy the Vampire Slayer” was a superb wretchedness for a feature film. I idea for positive the series was going to tank. When I started watching halfway through the first season, I fast found that I was gross. “Buffy” simply blossoms on television. I’ve been zigzag ever since.
For the first time, Whedon has provided us with all the terrors of high school (remember those? ) in a fright genre setting. Not only that, but he provides a confident, cold FEMALE character to trounce the abominable guys. Whether you’re a fan of the genre or a teenage feminist, Buffy (Sarah Michelle Gellar) provides a niche for the unpopular misfits in high school, but looks upon them as heroes. Were you as sad as Xander (Nicholas Brendon)? As geeky as Willow (Alyson Hannigan)? As snappy with an aphorism as Oz (Seth Green)? The series proves that high school is indeed survivable no matter who you are, even if you’re cliquish Cordelia (Charisma Carpenter) . And in the extinguish, the more unpopular you were – possibly the more significant you were to your teenage community.
Mix in your accepted teacher (or librarian) played by Anthony Stewart Head (who should play “Doctor Who” after he’s done with “Buffy”) to be the requisite alarm genre British pseudo-scientist, and Buffy’s single mom (Kristine Sutherland) and you’re all position to go with the most lustrous sci-fi TV series possibly written for this age group. (The next closest thing being the colorful, yet non-sf “Freaks & Geeks”.)
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I’m not kidding. It’s incredible how fleet these characters grow in the first season and their responses remain accurate to life despite the fabulous situations they’re thrown into. Creator Joss Whedon has become one of the most talented writer/directors working in the industry today, despite the fact that “Buffy” is most of what he’s been doing for the last five years.
As far as what you secure in this box location, you’re in for a treat. This is the chunky first season, not impartial the half previously released on VHS; including the season finale “Prophecy Girl” – where we stare unbiased how gallant Buffy really is, despite her adolescence and scare of death. Also point to throughout the series are teenage issues of emotional/sexual conflict (”Teacher’s Pet”) and problems with acceptance (”The Pack”) . Specific highlights also include Whedon’s commentary for the two allotment premiere as well as the first appearances of Angel (David Boreanaz) and Jenny Calendar (Robia LaMorte) .
Remember, Buffy’s not Unbiased about vampires. In fact I deem it’s friendly to say that vampires are secondary to the emotional undercurrent of the demonstrate, if not a particular episode’s residence. Forget “Felicity” and shove off of “Dawson’s Creek”, this is the one for the adults.
Finally, the complete first season of Buffy the Vampire Slayer is available on DVD (rather than the boxed position previously available that contained only half of the episodes) . While a puny uneven in quality compared to later, more polished seasons, the series’ trademark wit and pathos are in graceful effect in this position.
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The situation begins with the two-part series premiere, “Welcome to the Hellmouth” and “The Harvest.” These episodes introduce Buffy, a sophomore in high school and the Slayer chosen to fight the forces of darkness; Willow, the fearful technology-savvy redhead; Xander, the goofy regular guy who happens to have a serious crush on the Buffster; Cordelia, the shallow queen always ready with an acerbic comment; and Giles, the staid school librarian and Buffy’s watcher. Some famous secondary characters are also introduced, like Angel, Buffy’s future boyfriend, and Darla, Angel’s vampiric ex-flame. The storyline involves the plans of the Master, a vampire, to dash his prison and wreak havoc at the same time that Buffy has honest transferred to a unique school (after being kicked out of her mature one for burning down the gym) . Naturally, she and her friends avert the catastrophe.
“The Witch” is a tall episode, looking at both mother/daughter relationships and being pressured by parents to succeed. When the cheerleading squad meets various mystical “accidents,” one-by-one, Buffy has to investigate. The jog apparently leads to Amy Madison, a gawky girl turned second-string cheerleader. She’s bewitching up the ranks as her competitors go down… One of the best episodes in the position.
“Teacher’s Pet” features Xander, as he and all the other guys go gaga for a unusual substitute teacher. But Buffy’s suspicious when she sees the teacher do a head-twist, Exorcist-style. Unfortunately, Xander’s already in her trap…
“Never Destroy a Boy on the First Date” is a more silly episode. Buffy tries to have a social life, but those pesky slaying commitments retain getting in the contrivance. She finally ends up dragging her date to the funeral home when they acquire that an ragged prophecy is coming to pass…
In “Angel,” the mysterious Angel’s secret is revealed: he’s a vampire! (As if it were a surprise to anyone.) But when Buffy thinks he’s fed on her mother, she has to build a decision: can she bring herself to ruin him?
The spotlight’s on Willow in “I Robot, You Jane.” When introspective Will starts an online romance, Buffy’s a microscopic troubled. But when it turns out that there’s a demon in the Internet – and that he’s Willow’s “boyfriend” – things gain particularly hairy. This episode introduces computer teacher and technopagan Jenny Calendar, Giles’ sometimes girlfriend and a pivotal character in Season Two.
“The Puppet Reveal” is the series’ token creepy-ventriloquist’s-dummy episode. Giles has been drafted for the school talent prove, but several of the participants have turned up rather wearisome. Buffy suspects one of the stranger kids’ ventriloquist dummy is gradual the deaths. Though this episode is not the strongest of the season, an palatable and unexpected twist makes it mild eminently watchable.
In “The Pack,” Xander’s started to act laughable – snarling at his friends and hanging out with the bullies. It all started when he entered the hyena cage at the zoo. But can Buffy figure it out before things salvage out of hand and somebody gets…well, eaten?
“Nightmares” brings everyone’s worst nightmares to life. Buffy’s father tells her he doesn’t fancy her, while bookworm Giles forgets how to read. The Master seizes the opportunity to try to compose a rupture for the outside world, and nearly succeeds. Worth it if for nothing but Cordelia’s terrible hair day.
In “Out of Mind, Out of Search For,” an invisible girl is terrorizing Cordelia and her associates. She comes to Buffy for abet, and Buffy gives it (albeit very reluctantly) . But when the attacks coincide with the crowning of Cordelia as the unique May Queen, problems arise – huge surprise.
The location ends on a high price with “Prophecy Girl.” Giles finds a prophecy that predicts Buffy’s death at the hands of the Master. It deals very clearly with Buffy’s bleak realization of her contain mortality, and ends with a showstopping showdown between Buffy and the Master. Quite possibly the best episode in this site.
I can’t recommend this boxed state highly enough. Extras, like interviews with Joss Whedon (the creator) and David Boreanaz (Angel) round out the situation. A worthwhile buy both for Buffy fans and those wanting to perceive what the fuss is all about.
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I first saw “Amadeus” around 1984 when it was first released. Besides being a visual and musical masterpiece of film making, it kick-started my life-long treasure of and appreciation for classical music.
I won’t command the yarn synopsis as it’s already been thoroughly described both by Amazon.com’s famous review and multiple customers here already.
I will say though that this edition, ‘The Directors Cut’, is a major improvement over the first DVD release. First, (and finally!!), the movie is now a single-side DVD…gone is the annoying 2 sided ‘flipper’ that the first release was. You can now sight “Amadeus” from initiate to attain without having to salvage up and turn it over. For my money, that’s reason enough alone to contain this current version.
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Secondly, ‘The Directors Cut’ now adds about 20-30 minutes of previously deleted scenes, placed assist into where they were originally intended. Personally I obtain some of the newer stuff enhances the chronicle overall and fills in some details that were left vague in the modern theatrical release. I won’t give away any details, but there is a novel scene between Mozart’s wife, Constanza, and Salieri, Mozart’s chief musical rival (and secret arch-enemy) early in the movie that puts an whole unusual perspective of Salieri’s bent and battered psyche.
As for the DVD itself, the characterize and sound quality are both exemplary. Included is a second disk with bonus material including interviews and making-of extras.
If you loved the new, you owe it to yourself to take up this version. If you’re unusual to classical music and Mozart, this is the best region to initiate.
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lr** Jan 30,2003
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HIGHLY RECOMMENDED.
If you’re a fan of the fresh theatrical crop of “Amadeus” you’ll have mixed feelings about the “Director’s Reduce”. While I perfer the latter for a number of reasons, the feeling and bolt of the current theatrical version differs somewhat from the “Director’s Prick”. The most distinguished piece are extended scenes that include Salieri agreeing to aid Constanze if she has an affair with him. He ends up rejecting her when she shows that she so loves her husband that she would be willing to do so. A number of the opera scenes are extended as well with more business after the explain between Mozart and his leading lady. There’s also a longer sequence tantalizing Salieri’s visit to Mozart comissioning the “Requiem”. Most of the material adds to the power of the film while a few sequences honest give additional succor memoir on various characters. The recent theatrical version which won an 8 Oscars runs about 25 minutes shorter than the 3 hour “Director’s Lop”. Forman also provide a enthralling commentary track for the film along with writer Peter Shaffer (”Equus”) .
The image quality for the “Director’s Crop” is sterling to the recent theatrical version. The film was restored to its recent luster for re-release resulting in powerful more natural flesh tones and a sharper visual image as well. The colors which play in valuable fraction in conveying the themes of each sequence are more robust and colorful. The theatrical version looks quite edifying although it was first issued on DVD as a “flipper” (meaning you had to flip it over) DVD after roughly two hours to leer the last third of the movie. The expansive advantage for the theatrical version is Neville Mariner’s procure on an isolated track.
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The second disc of the “Director’s Carve” has one terrific extra, a brief talent list and the novel theatrical trailer. The suited behind-the-scenes documentary covers the highlights and difficulties that Forman faced in translating Shaffer’s stage play to the cover. At nearly 40 minutes it could have provided more background including outtakes, rehearsals and auditions but it’s quite a few documentary as it is. There was plenty of room on the second disc to include Mariner’s isolated bag but the documentary is really all we collect.
As to which is better–it’s a toss up. Both versions of the film work extremely well although I assume the “Director’s Lop” for the added footage, the sharper more robust image quality and the higher definintion anamorphic transfer. I do miss the isolated Marriner collect of Mozart’s music that appeared on the recent disc in 5.1. Given the capacity of the second disc, it could easily have been transferred and would have added value to this special edition.
A fable of envy, lust and nettle “Amadeus” focuses on the brief life of Wolfgang Amadeus Mozart. Mozart (Oscar nominee Tom Hulce giving a terrific performance) was a child prodigy who unruffled his first allotment at the age of 4 and produced a remarkably astronomical body of work for such a brief life. His nemesis is court composer Antonio Salieri (Oscar winner F. Murray Abraham in a mighty performance) . This is really Salieri’s fable as his jealousy drives him to waste Mozart. Salieri is so consumed with his jealousy, that while recognizing the beauty and originality of Mozart’s music, he can’t attend but want to extinguish its creator. Salieri’s quaint compositions can’t gain a candle to Mozart’s complex, recent and intellectual pieces.
Featuring inspired supporting performances by Christine Ebersole, Jeffrey Jones, Simon Callow (”Three Weddings and a Funeral”), the only performer that doesn’t do anything for me is Elizabeth Berridge as Constanze. She replaced Meg Tilly unbiased prior to shooting. The pretty production beget, cinematography and enchanting direction acquire “Amadeus: The Director’s Slash” an experience worth savoring. This deluxe edition features a running commentary by director Milos Forman, writer Peter Shaffer (”Equus”), a immense 30 miniature documentary on the making of the movie and a terrific 5.1 Dolby Digital remastered soundtrack. Restored from the current film elements, the film hasn’t looked this robust and intelligent in quite some time. The digital anamorphic transfer looks top-notch and almost rich enough to eat. This version doesn’t replace the recent theatrical version but is more of an enhanced experience for those who loved the first film. Since this version runs roughly three hours, be prepared for a long evening.
Highly recommended, this examination of the destructive power of jealousy unexcited resonates with power, passion and astonishing music. If you’re not an opera buff, I’d suggest skipping this for, while the film is great, fraction of the power comes from appreciating the music that Mozart wrote. We eye a lot of excerpts from a variety of Mozart’s operas throughout the movie. Whichever version of the movie you settle, you’ll obvious to be jubilant. I’d give the “Director’s Slit” a dinky edge for better characterize.
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A quintessential example of Studio comedy of the early 1960’s, `What A Blueprint To Go” owes all it’s charm to its cast. Topping the list is Shirley MacLaine in a amusing performance not to be missed. She brings a recent kooky charm to her Louisa as she careens from one marriage to the next totaling a roster of husbands with Mega-Star power that today would have sunk 20th Century Fox on salary alone.
Here it’s all about timing, reaction and inch. All of witch Miss MacLaine is an expert. It is a sheer joy honest to contemplate her capture a thin yarn and produce magic out of it. Dick Van Dyke, Paul Newman, Robert Mitchum, Gene Kelly, and Dean Martin serve her in her romp across the cinemascope conceal.
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There are two standouts in the husband department for me, first, Paul Newman as an ex-patriot American artist in Paris. Rarely do we secure to ogle him achieve a laughable turn and here as Larry Flint he is both sexy and humorous. And Robert Mitchum as Rod Anderson, the maple syrup king is a delight.
The cleverest aspect of the epic is the utilize of Louise’s remembrances of each marriage as a different genre of film from the still hide to the tall splashy musicals of the 1950’s. The funniest occurs when she is married to Mitchum. It is a Lush Budget production all the scheme. Also of effect is the immense dance number with Gene Kelly, in and of itself a lampoon of Mr. Kelly’s famed routines over at M.G.M. a decade before.
Also of effect is the wonderful color and cinematography of Leon Shamroy original off his Oscar bag with “Cleopatra” the year before. (Heed the in-joke jabs at Cleopatra and Richard Burton in two segments.) And glittering suitable up there with her best work are the glorious costumes of Edith Head.
This DVD also includes tiny extras the best of which is a newsreel of the day called “What A Device To Go To The Handsome.” It chronicles the films opening at the 1964 Current York World’s Heavenly. It is a gem all it’s beget.
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What a plot to go is a light delight and a prime example of a bygone age of glamour and excess. And above all it is Shirley MacLaine’s film all the blueprint and it is the only scheme to go!
The epitome of fluffy 60’s escapism with Shirley MacLaine at her kooky best and a dream cast of leading men sending up their camouflage images. Add to this a sizable budget, the most gross costumes of an imperfect era, and a witty script by Comden and Green that blends romance, satire, slapstick and honest a pinch of cynicism. It’s tall and overblown and all the better for it. And I’m elated to characterize that it looks astonishing on this dvd in widescreen and vibrant color.
Shirley MacLaine made several screwball comedies in the 60’s such as Woman Times Seven, John Goldfarb Please Arrive Home, and The Bliss Of Mrs Blossom, but What A Draw To Go is one of the best. She is helped immeasurably by a galaxy of stars portraying the men in her life – peaceful and oily Dean Martin, rubber-faced and loose-limbed Dick Van Dyke, bearded and self-spoofing Paul Newman, surprisingly charming Robert Mitchum, the always scrumptious Gene Kelly, and a somewhat manic Robert Cummings. As an added treat, the Marx Brothers’ ancient foil Margaret Dumont is wonderfully over-the-top as MacLaine’s dragon of a mother. You impartial don’t rep casts like that anymore.
Another nice touch is the device several genres of film are spoofed as MacLaine wistfully recalls the best days of each of her marriages. The musical extravaganza with Gene Kelly, in particular, is a precise joy. Kelly was over 50 but calm had all the moves while MacLaine reminds us what a fabulous dancer she was – with equally incredible legs. I also loved Paul Newman as the world-weary abstract artist. Many people forget that he made a number of comedies contrivance wait on when, and that he was fine pleasant in them.
What A Plan To Go was not a tall hit when it was released, primarily because it was made at a time when the emphasis was on youth and this film was seen as an instant relic that would appeal only to the Doris Day/Rock Hudson crowd. How detestable they were. Forty years on, What A Procedure To Go is unruffled unusual and laughable, unlike many other Swinging 60’s comedies.
Other reviewers on here have mentioned films they would like to glimpse released on dvd. I’ll add an primitive, little-seen well-liked of mine – The Art Of Cherish with James Garner and Dick Van Dyke. Well, I can hope, can’t I? In the meantime, I judge I’ll peek What A Procedure To Go again.
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In 1964 director/producer Stanley Kubrick created the nuclear war comedic masterpiece “Dr. Strangelove: Or How I Learned To Terminate Worrying and Appreciate The Bomb”. He followed that with the science fiction masterpiece “2001: A Plot Oddysee”. Stanley Kubrick would arrive his creative peak with his next film. An Adaption of Anothony Burgess’novel “A Clockwork Orange.” Stanley Kubrick’s A Clockwork Orange is one of those films that you will either savor or abhor. The film centers around the character of Alexander DeLarge (played to perfection by Malcolm McDowell) a 15 year archaic “droog” who with his friends Pete (Michael Tarn), Georgie (James Marcus), and Dark (Warren Clarke) drink Milk Laced with drugs at the local “Milkbar” and then go out on the town at night, doing spoiled things to people. During one incident Alex is captured and taken to prison. He finds out about a treatment that can gain him of prison. He goes through with the treatment (which will produce him sick when he attempts to commit an act of violence), is released from prison and thrown benefit into the world, unable to defend himself. Out of all the things that effect this movie titanic, the number one element is the performance of Malcolm McDowell as Alex. The entire movie revolves around him so if McDowell’s performance isn’t top notch then the movie isn’t top notch. McDowell was in his gradual twenties when he made this movie. In the unusual Alex is 15 years archaic. So although being grand older then his character McDowell plays the adventureous youth wonderfully. Suprisingly McDowell was not nominated for an Academy Award. Another really strong element is the music. Never in my life have I seen a movie (non musical) where the music plays such an necessary role in a film. Gioacchino Rossini’s “The Thieving Magpie” during the fight scence against the rival droogs. “The William Snarl Overture” played 5 times too rapid during the orgy scene and the spend of Ludwig Van Beethoven’s “Symphony no. 9″ are unbiased a few examples of how music plays an considerable role in this film. As far as things being unfavorable with the movie. The only staunch thing is the lack of any trusty supporting cast. Definite there are a few standout performances. Particularily James Marcus as Georgie and in no means are the rest of the supporting cast unpleasant actors. There honest isn’t a proper supporing cast there. But McDowell’s performace makes up for it. This film get’s 5 stars because of 3 things. Number one is the performance of Malcolm McDowell. Number two is the employ of music in such a different and novel blueprint and number three is the originality of it. This movie came out in 1971 and I haven’t seen any movie like it that came out before or since then. A Clockwork Orange was nominated for several Academy Awards including “best describe” and “best director” but it lost in all categories to William Friedkin’s “The French Connection”
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In which high government officials are seen as the honest equivalents of street thugs (objective better at p.r.), demonstrating that nothing has changed in 35 years.
The HD transfer is spectacular. This is how I remember the movie upon its opening in 1971. Pristine, startling, extraordinary.
Repeated viewings over the years of worn-out circuit prints, VHS and standard-def DVD had dimmed the movie’s capacity to astonish. Now, in HD, the shining brilliance, texture and color of the images are restored, and the richness of the images makes a ample inequity to the film’s impact. The sound is also reliable — certainly pleasurable to the modern theatrical release in the days of optical soundtracks.
In addition to the beauty of the Hi-Def characterize, this is worth owning because (at last) it is a stop approximation of the new theatrical aspect ratio (mask shape) ; the theatrical presentation being, after all, the venue for which Kubrick still his shots. (Ignore those who claim he meant this film to be seen in full-frame 1.33:1, as in all the previous home video releases. He clearly created it to be seen in theaters, and in theaters he had the image matted to 1.66:1, which is very stop to the aspect-ratio of this HD DVD.)
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Buy it; stare it on your big-screen 1080 HDTV in a shaded room, uninterrupted. Exact horrorshow!
This is a 2-disc “Special Edition,” with the same extras as the standard-def DVD in the original (2007) boxed set: commentaries, trailer, fresh interviews with Wm. Friedkin, Sydney Pollack, Malcolm McDowell, Wendy Carlos, Mrs. Kubrick, others.
Then hope for a hasty HD release of “Barry Lyndon” (1975), Kubrick’s underappreciated masterpiece following “A Clockwork Orange,” which will also succor greatly from High-Definition.
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Ok, people this is my humble view about the specific anime. So you may ask why this guy gave the present 5 stars…
To inaugurate with and to procure out of the procedure the most certain matter, I bought the shows when they came out separately and had to pay much-much more than the amount that people will have to pay for the complete collection.
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To the fable, it is mainly about three women – one a mercenary, one a priest and sort of white magician and one is a thief – and of course the main character Louie and his female friend. The previous mentioned women are adventurers but in order to succeed they need a worthy magician by their side. Well, imagine who this one will be, exactly no other than Louie. Well, the jam with this magician is that a) instead of studying magic he prefers to drink beer, b) instead of using magic he prefers his fists and kicks -especially when they encounter monsters for the first time I was laughing so grand that I had started to yell, c) When he opens his mouth he is pudgy of s…, what will earn the viewer crack laughing with what comes out of his mouth…
However, as clumsy as he may appear at the beginning – the main reason why the three other women will “despise” him (during the first episodes, something that changes later on) ; but are forced to stick with him for the above mentioned reason – proofs itself to be as if the creator of the shows wanted to mislead us. Why am I saying this: Because there will be occasions (especially in the first episodes) when Louie says from time to time something so aged, and his magic from time-to-time proofs to be seriously strong, that the viewer will ask himself/herself, is there something more tedious his, in many times, ridiculous and laughable behaviour? The reply is yes, as it happened with Vash of Trigun… And as the myth evolves Louie becomes better and better all the time, in many aspects and ends up to … the world…
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(And are not fouled because, the narrative is not only about adventures but it deals with other aspects that become more obvious later on, the adventures are basically something like the starting point of the memoir…)
To achieve, the epic is comic, in other worlds people will crack laughing with what is Louie able to do or not to do, very savory, has action, romance, and the storyline is not so terrible (of course, please do not compare it with the philosophical meanings of Evangelion but for its genre as it is…)
Is it worth buying it? Yes, I can honestly recommend this prove… Be Pleased it…
I was walking around the anime allotment of a nearby electronics store and this box spot caught my ogle. I looked it over a bit, and noticed the character fabricate as well as the storyline was created by ‘Ryo Mizuno’. Ryo Mizuno is also the creator of Picture of Lodoss War and Anecdote of Crystania, which are both titanic animes ‘especially Narrate of Lodoss War’.
I, of course, already started to have high expectations for Rune Soldier. It is awesome, it’s resplendent droll, and less serious than it’s counterparts. The characters all have new attitudes of their beget, and while the narrative progression can be a small pointless, *find runes to score treasure* the ending is actually surprising, and makes this Anime an extremely wise remove. I would recommend Rune Soldier to any Otaku.
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Tsukasa takes Subaru to peep the sleeping girl and not only is she not there but the entity gets valid exasperated at Tsukasa and punishes him in the diagram you would ask from a ticked off omnipotent entity. And that’s it for him or a while. The Cat, however, shows some danger for him making you wonder at the cats relationship to the entity.
The team of Occupy, Mimiru, and Subaru with the serve of Helba accumulate another procedure to the broken man and learn a few more hints to the truth – that is, before the entity finds out what they are up to.
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Un-killable monsters are roaming the land, mysterious players who we have yet to be introduced to are shadowing the team, and more plots are being made aginst the group as BT, Sora, and the Silver Knight team up. But is the Silver Knight a player or a pawn? For that matter, is BT even in control of her believe plots and with the chaotic nature of his character will Sora forsake all alliances for a chance to wait on the “Power”?
And what about Subarus’ feelings toward Tsukasa?
And what happened to the sleeping girl?
And what’s going to happen if she is awakened?
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As I’ve said before, this series has been more about human interaction and intrigue than action. Even though there is action, I feel that it is musty to enforce or to re-enforce the by-play between characters. Which is one thing I savor about the series.
A splendid example is the fights with the un-killable monsters and how the Silver Knight is abandoned by Sora, where as Subaru falls to one of the beasts and another is willing to jump in-between them simply to be there for her. As they’ve said, even if it is a game no one likes to die.
It comes down to who will be there for who, who can swallow their pride to work with others, and who is willing to abandon everyone to follow their occupy path. Alliances are formed here that should endure through the final confrontation.
The party gets assists from Helba and, in a brief cameo, Subaru’s grand friend Balmung – who we haven’t met yet but has previously been mentioned as helping out offscreen – as the final conflict draws approach.
Of all the people he’s approach to care for, Tsukasa’s closest tie is to Subaru, and he now trusts her enough to fraction Aura, the sleeping girl with her. This does not go over well with The Explain, however, and once Subaru leaves she punishes him severely – a serious setback, as Tsukasa is left traumatized and shell vexed.
In other developments, the whole party is now on the same page, with Gain and Mimiru working in concert with Subaru and Crim for the first time. With the appearance of unkillable boss monsters hearalding the fact that they’re running out of time, they try to bring their lost sheep support into the fold.
Previous comments from Crim have suggested that the Silver Knight isn’t really a terrible guy if given a nudge in the apt direction, and indeed we get him taking the fallout of the Knights’ dismantling – which was certainly never his way – even harder than Subaru. B.T. – who’s been seesawing through the whole series – wants support in, but doesn’t behold how that’s possible considering her current behavior and the messy map she’s left things – until she finds to her surprise that Have calm maintains an almost childlike faith in her. For that matter, the “worn man” hasn’t entirely given up on Sora either.
There’s always one pickle case, however, and it looks like he might be unfriendly on that count. Until now, Sora hasn’t really done anything more dire than play The World rather unscrupulously. However, it should be starting to register that a actual child is in worry and this is no longer honest a game, and his antics are starting to wear thin. Finally even threatening Mimiru – who he had seemed to like if he liked anyone – he seems to be a lost cause. And like the young boy it’s been implied he is in the genuine world, he starts playing with fire…
The chess pieces are on the board, and zero hour is approaching.
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